Tag Archives: Sundress Publications

Poets in Pajamas Presents Samantha Edmonds

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Poets in Pajamas, a Live-Stream Reading Series by Sundress Publications
Presents Episode 43: Samantha Edmonds

Ever wished you could attend a poetry reading in your PJ’s? Wished there were one closer to home? Missed a reading because you just couldn’t muster up the energy to go? Bailed because you didn’t want to go alone?

Well fret no more! Poets in Pajamas (PiP) is a live-feed online reading series presented by Sundress Publications. We bring live poetry, complete with Q&A and poet interaction, to you. We don’t ask you to dig out a scarf, no, we welcome you as you are and bring the poetry. Won’t you join us? We often draw a diverse audience from around the world and we’d love it if you, too, were there.

Samantha EdmondsOur next episode will air on Sunday, November 18, at 7pm EST, featuring Samantha Edmonds. On behalf of Sundress Publications, Anna Black will host.

Samantha Edmonds’ work appears in Black Warrior Review, Pleiades, Indiana Review, Day One, and McSweeney’s Internet Tendency, among others. She currently lives in Knoxville, where she’s an MFA candidate at the University of Tennessee and serves as the Fiction Editor for Grist. Follow these links to find out more about Samantha:

“On Obsession” on Black Warrior Review

Author Spotlight on Santa Fe Writers Project Quarterly

“Donor” on Identity Theoryanna black

 

Anna Black has served as the editor-in-chief of the magazine Hayden’s Ferry Review and is a twice awarded Virginia G. Piper global teaching and research fellow. She received her MFA at Arizona State University. More about Anna and her work can be found at @bylineblack and bylineblack.com.

The readings occur on PiP’s Facebook page every other Sunday at 7PM EST/4PM PST. The selected poet will read for about 15 minutes,  and will then open the floor for an additional 10-15 minutes to receive questions from the audience.

 

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Meet Our New Editorial Intern: Hannah Kitterman

My relationship with books and with reading has been constant for my entire life. Both of my parents are English professors, and I have been fortunate enough to be around an environment that put reading and talking about books in a place of high esteem from a young age. There was really no escaping this environment, actually, and I just ended up really lucky that I happened to love every facet of it.

I continued loving my books, sometimes to the extreme, in all situations. For family vacations I would have the heaviest bags because of all the books I wanted to bring. I was notorious for asking for a IMG_3999.jpgbook and then finishing it in a matter of hours, no matter how lengthy.

However, despite my devotion to reading and my willingness to take down any obstacle to be immersed in a book, when I registered for my first semester at UTK I had no intention of being an English major. I had decided to study French because it was a subject that had thrilled me as much as my English courses throughout High School, and I had an idealized notion that I would become an academic in French Literature and possibly move to France.

Within the first month of my Freshman year I had switched to a double major in French and English Lit. There was a physical pull that I felt whenever I was in my English classes and when looking at the catalogue of courses and I found myself pouring over all the offered English Literature ones. After I declared my double major, I lost my notion of how my life was going to end up. I felt so unsure and also so happy because in a way I had found my identity again.

I know I am happiest when I am working with any type of writing or writing based art, so I am really looking forward to this internship with the Sundress Academy for the Arts and a new chance to learn and grow with others in a field that brings me the utmost joy.


Hannah Kitterman is a native Tennessean currently living in Knoxville. She graduated from the University of Tennessee last May where she studied English Literature and French. During her time at UTK Hannah was a member of the Pride of the Southland Marching Band where she played the trombone and gained experience with heartbreaking losses and feverous fandom. Hannah is currently serving as a member of AmeriCorps with I Bike KNX, a nonprofit that advocates for safe bicycling habits. You can find her at various intersections in Knoxville counting the number of pedestrians and people riding bicycles or reading with a cup of coffee while on the lookout for dogs to pet. She has never met a burrito or a dog that she did not love.

 

 

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Poets in Pajamas Presents Emily Rose Cole

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Poets in Pajamas, a Live-Stream Reading Series by Sundress Publications
Presents Episode 41: Emily Rose Cole

Ever wished you could attend a poetry reading in your PJ’s? Wished there were one closer to home? Missed a reading because you just couldn’t muster up the energy to go? Bailed because you didn’t want to go alone?

Well fret no more! Poets in Pajamas (PiP) is a live-feed online reading series presented by Sundress Publications. We bring live poetry, complete with Q&A and poet interaction, to you. We don’t ask you to dig out a scarf, no, we welcome you as you are and bring the poetry. Won’t you join us? We often draw a diverse audience from around the world and we’d love it if you, too, were there.

emilyrosecole.jpgOur next episode will air on Sunday, October 28, at 7pm EST, featuring Emily Rose Cole. On behalf of Sundress Publications, Anna Black will host.

Emily Rose Cole is the author of Love and a Loaded Gun, a chapbook of persona poems from Minerva Rising Press. Her poetry has appeared most recently in NimrodThe Pinch, and Southern Indiana Review, among others. She is pursuing her PhD at the University of Cincinnati. To check out more of Emily’s work, visit the following links:

“MS Nocturne Without a Magician” on Phoebe Journal

“How Grandmother Tells It” on Glass Poetry Journal

“How Not to Remember Your Mother” on The Raleigh Reviewanna black

 

Anna Black has served as the editor-in-chief of the magazine Hayden’s Ferry Review and is a twice awarded Virginia G. Piper global teaching and research fellow. She received her MFA at Arizona State University. More about Anna and her work can be found at @bylineblack and bylineblack.com

The readings occur on PiP’s Facebook page every other Sunday at 7PM EST/4PM PST. The selected poet will read for about 15 minutes and will then open the floor for an additional 10-15 minutes to receive questions from the audience.

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Online: poetsinpajamas.wordpress.com            Facebook: facebook.com/poetsinpajamas
Twitter: twitter.com/poetsinpajamas                 Contact: poetsinpajamas@gmail.com

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PROJECT BOOKSHELF: NIK BUHLER

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As you can see, my bookshelf isn’t so much a bookshelf as it is multiple bookshelves and stacks of unplaced new buys. As a virgo sun, I am extremely anal about having everything in alphabetical order (by authors last name, of course) to achieve the feel of a real home library. However, as a gemini moon and sagittarius rising, I can never buy just one book! Because of this, I often end up purchasing books by the tens and twenties, resulting in the stacks of books haphazardly thrown on shelves while my anxiety screams about how disorganized it is as well as how long it will take to organize.

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I love collecting odd trinkets that catch my eye for whatever reason whether they be weird, interesting, or funny. Various shelves are adorned with these trinkets such as my hungry hippo, old lost photographs, glowing alien toys, and carved wooden stump. Similarly to my fascination with odd trinkets, I have a fascination with odd books. Many books found on my shelves are those found browsing places like yard sales, GoodWill, and McKay’s. Funky books like my ombré, vapor-wave copy of Hamlet, my copy of The Practical Guide to Tarot and the Runes, and a copy of Woodburning with Style add a fun flare to my collection and opportunities to read on fun things I might not have normally picked up.

 

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Additionally, I have many books of sentimental value that have been passed along through my grandmother, aunts, my mother, and finally I such as my collection of Steven King novels or original copy of A Night to Remember. These books have been well taken care of for many years and you can feel the love in the pages. They mean so much to me as the first novels I ever owned – though perhaps that is slightly macabre. Similarly, I have an unfortunate obsession with Franz Kafka and own every book he has published, including a completed work of texts just to be absolutely sure i’ve missed nothing! I even own a collection of aphorisms that I carry around like the world’s worst bible.

The rest of my books are miscellaneous selections left over from English and Philosophy classes taken previously at UT. As a double major in two reading and writing intensive studies, i’ve managed to amass quite the collection of novels and academic texts, all of which I still enjoy reading to this day despite the fact that they may of been attained for a simple freshman 101 course. If you asked me to pick a favorite book from my shelves, I don’t think I could do it; I simply have too many to decide!

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Nik Buhler is a queer poet from middle Tennessee who attends the University of Tennessee, Knoxville where they are a senior who studies English Literature and Philosophy. When they are not at home chainsmoking, drinking beer, and playing with their adorable cats, Buhler can be found in coffee shops and libraries craving fries, furiously typing out papers due the next day, and screaming about the existentialist movements influence on modern literature.

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Poets in Pajamas Presents Anthony Frame

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Poets in Pajamas, a Live-Stream Reading Series by Sundress Publications
Presents Episode 39: Anthony Frame

Ever wished you could attend a poetry reading in your PJ’s? Wished there were one closer to home? Missed a reading because you just couldn’t muster up the energy to go? Bailed because you didn’t want to go alone?

Well fret no more! Poets in Pajamas (PiP) is a live-feed online reading series presented by Sundress Publications. We bring live poetry, complete with Q&A and poet interaction, to you. We don’t ask you to dig out a scarf, no, we welcome you as you are and bring the poetry. Won’t you join us? We often draw a diverse audience from around the world and we’d love it if you, too, were there.

Our next episode will air on Sunday,  September 30, at 7pm EST, featuring Anthony Frame. On behalf of Sundress Publications, Anna Black will host.

anthony frameAnthony Frame is an exterminator from Ohio. His most recent collection is Where Wind Meets Wing (Sibling Rivalry Press, 2018) and recent publications include The Shallow Ends, Drunk Monkeys, Up the Staircase Quarterly, and the anthology Not that Bad (HarperCollins, 2018). He is also EIC at Glass Poetry Press.

To check out more of Anthony’s work, visit the following links:

 

anna blackAnna Black has served as the editor-in-chief of the magazine Hayden’s Ferry Review and is a twice awarded Virginia G. Piper global teaching and research fellow. She received her MFA at Arizona State University. More about Anna and her work can be found at @bylineblack and bylineblack.com.

 

The readings occur on PiP’s Facebook page every other Sunday at 7PM EST/4PM PST. The selected poet will read for about 15 minutes,  and will then open the floor for an additional 10-15 minutes to receive questions from the audience.

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Meet Our New Editorial Intern: Nik Buhler

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No matter how old I was, it’s always been unlikely that you’d ever find me without one, if not three or four, books with me. I would stay up well past my bed time, reveling in how sly I was, just to finish a few more chapters of the most recent story I just couldn’t put down. Even as I advanced to high school where I became more involved taking AP and dual enrollment classes, playing varsity volleyball for four years, and becoming an active member and even president of multiple organizations such as the Gay-Straight Alliance and HOSA, my love for reading never waned but instead morphed into a challenge of how many novels I could finish without neglecting my school work!

I knew from a very young age that I wanted to pursue academia in the long term. In high school, a select few of my teachers and professors further impassioned my love for reading and learning, even going as far as to help me find degree programs that would best suit me for college. Upon entering my freshman year at the University of Tennessee, I became mesmerized by all the options available to me; I wanted to learn everything there was to learn but I couldn’t help but gravitate towards text and writing based courses. Eventually, I found myself in a Philosophy course and became enamored with the subject immediately. I loved the analysis, the debate, and the thoughtful, structured writing that came along with it. However, it was still missing something for me – literature! I quickly picked up a second major in English literature where I could explore the expanses of both subjects that truly speak to me,

With the help of many wonderful professors and mentors during my time so far at UT, I have been lucky enough to encountermany positive, life-changing experiences. The people I have met here have pushed me to be the best version of myself that they are confident I can be while not letting me be limited by insecurities or anxieties. Because of this, I have been blessed with the confidence and support to reach towards dreams and goals of mine through submitting works, participating in a poet residency, seeking out well suited graduate programs, and, of course, this internship with SAFTA! I know my time here will further propel me forward towards my goals in collegiate work and studies through encouraging me to better myself and reach success beyond what I though possible.

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Nik Buhler is a queer poet from middle Tennessee who attends the University of Tennessee, Knoxville where they are a senior who studies English Literature and Philosophy. When they are not at home chainsmoking, drinking beer, and playing with their adorable cats, Buhler can be found in coffee shops and libraries craving fries, furiously typing out papers due the next day, and screaming about the existentialist movements influence on modern literature.

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Interview with Charlie Bondhus, Author of Divining Bones (Sundress Publications 2018)

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Valerie Lick: Divining Bones looks at Baba Yaga in an entirely new way — she’s magical yet earthy, ancient yet modern, invisible yet doing porn. There’s also the narrator’s connection with her, which threads through the book. What does Baba Yaga mean for the narrator and for the book as a whole? And how did you come to the idea of using her as a character?

Charlie Bondhus: I prefer not to specify what Baba Yaga means in this book because I think that’s something the reader should come to on their own. I can say that in folklore she’s either a helper or an antagonist. Depending on who you are and what story you’re in, she may give you the tools you need to succeed in your quest—generally after you’ve completed some impossible task for her—or she may eat you. The narrator of Divining Bones is on a personal quest. Does she help him, consume him, or both?

I discuss what Baba Yaga means to me and how I came to use her as a character in a short article that was published recently on Patheos. Quick version–I was inspired by beer, Alanis Morissette, and a desperate need for emotional healing.

VL: Children run, skip, and curse their way through Divining Bones. The speaker first experiments with the occult as a child, Baba Yaga longs for the taste of children, and the speaker wonders about having children. How did you choose to focus on children and aging?

CB: I didn’t go in thinking I’d write so much about children, but I found that if you write about Baba Yaga, you have to write about children. She is, after all, a bogeywoman, the wicked witch in the fairy tale. And children are always closely linked to fairy tales, both as characters and audience members.

As for aging, we tend to only think of children and the elderly as opposites. Yet as a Pagan I’ve come to believe that the soul continually cycles through birth, life, death, and rebirth. For me then, children and the elderly stand at a similar distance from the Underworld. Age is commonly associated with wisdom (fairly or not) and children are often characterized as being more open to the supernatural. I think it’s interesting to explore these seldom looked at similarities.

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VL: While writing Divining Bones, you clearly took inspiration from fairy tales, the occult, and classic concepts like the Panopticon. Why do you feel drawn to these sources? Are there any other works you were inspired by?

CB: Like a lot of queer kids, I loved fairy tales and mythology. I was also very curious about magick and witchcraft from a young age. Growing up in a Catholic home both stymied and exacerbated that interest. There’s lot of wizardry in Catholic ritual and lots of magick in the Catholic mindset, yet you’re also taught that anything which doesn’t come from the Christian God necessarily comes from the devil. I “dabbled,” as they say, when I was in high school, but I never got seriously invested in witchcraft or Paganism because I was too worried about eternal damnation.

And yet, I always kept a Pagan altar in my home through college and my 20s. I didn’t use it, but I always felt compelled to keep it. It wasn’t until my mid-30s, when I went through an emotional crisis, that I fully embraced Paganism. Writing this book was, of course, part of that process.

As for the Panopticon, you can thank grad school! Everybody in a humanities Ph.D. reads Foucault it seems.

VL: In this book, you confront identity at many different corners — queerness, gender, age, family — especially through the theme of transformation. How did you tackle identity as you wrote?

CB: Right now, people are asking a lot of questions about the nature of identity. Gender is particularly contested. Around the time I started Divining Bones, I was questioning my own gender identity. I understood myself as male, yet not. Genderqueer sort of fit. I liked to say “I occupy the Male metropolitan area.” I was witnessing my concept of my own gender transform and enjoying it immensely.

At the same time, I was experiencing other, less thrilling transformations. I was coming to terms with memories of abuse that I’d minimized for years and how they were affecting my health in ways I hadn’t anticipated. I was watching Donald Trump win the GOP nomination and claim power.

I dealt with all this by writing a book that’s about transformation. And queerness. And creating yourself. Right now it’s common to say we exist at the intersection of multiple identities—our age, our race, our gender, etc. To think about all the different ways we inhabit that intersection takes work. That’s where art can come in.

VL: This being your third published book, have you noticed any changes to your writing style or your writing process?

CB: I’m more okay with letting the poem take over when it needs to. I’ve also learned that my impulse is almost always to tell stories. Divining Bones, my last book All the Heat We Could Carry, and the two projects I’m working on now all have narrative arcs, some more implicit, some more explicit. Yet at the same time they’re very different projects.

When I’m feeling self-indulgent I compare myself to David Bowie, writing a bunch of concept albums that are radically different yet still recognizable as my work. It’s totally self-indulgent…but who doesn’t want to be David Bowie?

VL: What are you reading right now?

CB: There are a lot of great new poetry books recently out. Mariahadessa Ekere Tallie’s Strut—which is from Agape!—for one. Robert Siek’s We Go Seasonal and Stephen Mills’s Not Everything Thrown Starts a Revolution, both from Sibling Rivalry Press. I’m also reading When the Clock Struck in 1916 by Darren Kelly and Derek Molyneux, which is a dramatized retelling of the 1916 Easter Rising in Dublin. I identify very strongly with the Irish part of my heritage and want to connect more with it. And I’m reading Rebecca Solnit’s The Faraway Nearby. She talks about Frankenstein—one of my favorite novels—and the Antarctic—a place I’d love to visit—so it’s a great read.

You can pre-order your copy of Charlie Bondhus’s Divining Bones today at the Sundress store!

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Charlie Bondhus’s second poetry book All the Heat We Could Carry won the 2014 Thom Gunn Award for Gay Poetry. His work has appeared in Poetry, The Missouri Review, Columbia Journal, Hayden’s Ferry, The Bellevue Literary Review, and Copper Nickel. He has received fellowships from the Sundress Academy for the Arts, Virginia Center for Creative Arts, and the Hawthornden International Writers’ Retreat in Scotland . He’s Assistant Professor of English at Raritan Valley Community College and poetry editor at the Good Men Project. He lives in Asbury Park, NJ.

Valerie Lick, the artist currently known as Val, loves those tall, weedy plants that are kind of like daisies except the blooms are really small. She can be found looking mean and studying literature at the University of Tennessee, where she is a rising junior. She thinks that there should be more intersections between science fiction, Appalachian folklore, and fashion journalism.

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Charlie Bondhus’ Divining Bones Now Available!

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Charlie Bondhus’ Divining Bones Now Available!

Divining Bones

Sundress Publications is pleased to announce the publication of Charlie Bondhus’ new book, Divining Bones.

Boys become crones; baked bread becomes a baby; electricity turns out to be Jesus; a first grade class stages Oedipus Rex. At the center of it all stands Baba Yaga, the child-eating forest witch and earth goddess of Russian folklore. Under her tutelage, Charlie Bondhus uses the occult and the magical to explore the fluidity of age, gender, and self-perception in this radical and playful book.

CAConrad, author of While Standing in Line for Death, had this to say about Bondhus’ book:

“Where divination meets poetry in extraordinary fashion!  After awhile you can look to this book for answers, opening and closing it nine times with a question in mind, the poet Charlie Bondhus leading the way.  Magic spells and paranormal experiences abound among beautifully written lines by a poet we will all want to share and know.  I love this book!”

Charlie Bondhus

Charlie Bondhus is the author of All the Heat We Could Carry, winner of the Thom Gunn Award for Gay Poetry. His work has appeared in Poetry, The Missouri Review, Columbia Journal, Hayden’s Ferry Review, Bellevue Literary Review, Nimrod, and Copper Nickel. He has received fellowships from the Virginia Center for Creative Arts, the Sundress Academy for the Arts, and the Hawthornden Castle International Retreat for Writers. He is associate professor of English at Raritan Valley Community College (NJ).

Order your copy today: https://squareup.com/store/sundress-publications/item/divining-bones-by-charlie-bondus

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Poets in Pajamas: An Online Reading Series from Sundress Publications, Episode 37: Ruth Awad

poets in pajamas

Looking for a Sunday night lit event that you don’t even have to leave home for?? Poets in Pajamas, an online reading series presented by Sundress Publications will be hosting poet, Ruth Awad, live on Sunday, September 2 at 7pm EST. Poets in Pajamas through their online reading series connects readers and writers around the world. Using Facebook Live, our audience connects with each other bi-monthly in the comfort of their own home, or frankly anywhere (as long as internet is involved). Anna Black will be hosting this event.

RuthAwad

Ruth Awad is a Lebanese-American poet and the author of Set to Music a Wildfire (Southern Indiana Review Press, 2017), winner of the 2016 Michael Waters Poetry Prize. She is the recipient of a 2016 Ohio Arts Council Individual Excellence Award, and her work has appeared in The New Republic, The Rumpus, The Missouri Review Poem of the Week, Sixth Finch, CALYX, BOAAT Journal, Diode, The Adroit Journal, Vinyl Poetry, Epiphany,Nashville Review, and elsewhere. Her work also appears in the anthologies Bettering American Poetry Volume 2 (Bettering Books, 2017), The Hundred Years’ War: Modern War Poems (Bloodaxe Books, 2014), New Poetry from the Midwest 2014 (New American Press, 2015), and Poets on Growth (Math Paper Press, 2015). She won the 2012 and 2013 Dorothy Sargent Rosenberg Poetry Prize and the 2011 Copper Nickel Poetry Contest. She has an MFA in poetry from Southern Illinois University Carbondale and she lives in Columbus, Ohio.

 

Each featured poet will read for 15 minutes with an additional 10-15 minutes for questions or comments. These readings will be available on Poets in Pajamas Facebook on Sunday at 7pm EST twice a month.

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Buy a Book, Nominate an Author

sundresspub

Sundress Publications is open for nominations for full-length manuscripts until August 31st!

To nominate a poet or manuscript, the nominator may purchase or pre-order any Sundress title or broadside from our store; they may nominate as many manuscripts as they would like, so long as each is accompanied by a separate purchase or pre-order. Please note that you may not self-nominate. Nominators can place book orders at our store at https://squareup.com/market/sundress-publications.

Nominated manuscripts must be between forty-eight to eighty (48-80) single-spaced pages of poetry; front matter may not count toward the total page count. Individual pieces or selections may have been previously published in anthologies, chapbooks, print journals, online journals, etc., but cannot have appeared in any full-length collection, including self-published collections. Single-author and collaborative author manuscripts will be considered. Manuscripts translated from another language will not be accepted. Simultaneous submissions are fine, but we ask that authors notify us immediately if their work has been accepted elsewhere.

All manuscripts will be read by members of our editorial board, and we will choose at least two manuscripts for publication. We strive to further our commitment to diversity and seek to encounter as many unique and important voices as possible. We are actively seeking collections from writers of color, trans and gender-nonconforming writers, writers with disabilities, and others whose voices are underrepresented in literary publishing. Selected manuscripts will be offered a standard publication contract, which includes 25 copies of the published book, as well as any additional copies at cost.

To nominate, email your Sundress store receipt or purchase order number for book purchase, along with the name and email address of the person nominated to sundresspublications@gmail.com. We will solicit the manuscript directly.

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A 501(c)3 non-profit literary press collective founded in 2000, Sundress Publications is entirely volunteer-run, publishes chapbooks and full-length works in both print and digital formats, and hosts a variety of online journals. Although we are conscious of the lack of representation by women writers in literary publishing, we are a non-discriminatory publishing group focused on the creativity of all artists, regardless of race, class, gender identity, sexual orientation, religion, education, etc.

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