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2018 Chapbook Contest Winner

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Katie Burgess’ Wind on the Moon Named Winner 
of Sundress Publications’ 2018 Chapbook Competition

Sundress Publications is delighted to announce the winner for our seventh chapbook competition, Katie Burgess. Her chapbook, Wind on the Moon, rose to the top among many other outstanding works.

Stacey Balkun, Chapbook Series Editor of Sundress Publications and author of Jackalope-Girl Learns to Speak, had this to say about the chapbook:

“The stories in Wind on the Moon fit together seamlessly, creating a world that’s as real to us readers as it is enchanted with love and grief. Katie Burgess uses playful form Katie Burgessand familiar tales to distill the most complex family dynamics: a daughter reckons with her mother meeting her lover in the language of a math textbook. Adam and Eve become a husband and wife who ‘always did encourage each other’s bad behavior.’ In the final story, the act of writing conflates with the creation of the universe, our narrator critiquing the work of a god: ‘I liked how in your first draft everything revolved around the Earth. That makes a lot more sense if the people there are going to be important.’ And Burgess shows us the importance of all people, encouraging empathy and the desire to get to know every character, every person, no matter how insignificant they may seem at first. Burgess writes with an honesty so clear it aches. Wind on the Moon is one of those books you can’t wait to share with everyone you love.”

Katie Burgess holds a PhD in fiction from Florida State University. She lives downwind of a mayonnaise factory in South Carolina and performs with Alchemy Comedy Theater. She is also editor in chief of Emrys Journal.

It is also our pleasure to announce that Amy Watkins‘ Wolf Daughter was selected for publication. We were thrilled by all the great works submitted this year and would like to thank everyone for participating.

Other submitted Chapbooks of Note

Finalists
Rachel Federer- Lunar Fragments for the Scorpion Child 
Gail Griffin- Virginals
Jayme Russel- Threadbound
Amy Watkins- Wolfdaughter*

Semifinalists
Rachel Heimowitz-The Story of Dark Matter
Jed Myers- The Wire Said
Sara Ryan- but pink but want but blue

*Also selected for publication

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VIDA Residency Fellowships Winners Announced

VIDA Residency Fellowships Winners Announced

Sundress Academy for the Arts (SAFTA) is pleased to announce the winners of the VIDA fellowships for the fall residency period, Raena Shirali and Nicole Connolly. SAFTA paired with VIDA, a research-driven organization aiming to increase issues in contemporary literary culture, to offer these fellowships for two women writers in any genre. This year’s winners were chosen by guest judge Elissa Washuta.

View More: http://giniaworrellphotography.pass.us/rshiraliRaena Shirali is the author of GILT (YesYes Books, 2017), winner of the 2018 Milt Kessler Poetry Book Award. Shirali’s honors include a Pushcart Prize, the Philip Roth Residency at Bucknell University’s Stadler Center for Poetry, and poetry prizes from Boston Review , Gulf Coast, and Cosmonauts Avenue. Raised in Charleston, South Carolina, the Indian American poet earned her MFA from The Ohio State University. She currently lives in Philadelphia, where she is a coorganizer for We (Too) Are Philly, a summer poetry festival highlighting voices of color. Shirali also serves as Poetry Editor for Muzzle Magazine and is on the editorial team for Vinyl.

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Nicole Connolly lives and works in Orange County, CA, which she promises is mostly unlike what you see on TV. She received her MFA from Bowling Green State University, and her work has appeared, or is forthcoming, in such journals as ANMLY, Fugue, Drunk in a Midnight Choir, and Glass: A Journal of Poetry.

Applications for spring residencies at SAFTA are now open and can be found at sundressacademyforthearts.com.

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Poetry Broadsides of Ina Cariño’s poem “Feast” Available for Pre-Order

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Sundress Publications is thrilled to announce that broadsides of Ina Cariño’s poem “Feast” are available for pre-order. “Feast” was the winner of our 2017 Poetry Broadside Contest. The broadsides will be printed at Sundress Academy for the Arts on a full-size working 19th century Challenge copy of a C&P old-style letterpress.

The broadside publication of “Feast” is now available for pre-order for $15 at our online store.

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Josephine “Ina” Cariño’s work has appeared in such journals as New American Fiction (New Rivers Press), One (Jacar Press), and december. She grew up in the mountains of the Philippines, a folkloric and aesthetic background to many of her poems. Cariño currently resides in Raleigh, NC, where she is pursuing her MFA in creative writing at North Carolina State University.

Like much of Cariño’s work, “Feast” is built on childhood memory, the natural world, and the interplay between life and death. The broadside edition combines her work with an original piece by Mariana Sierra, graphic designer at Sundress Publications.

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Order yours today at: https://squareup.com/store/sundress-publications/item/feast-by-josephine-ina-carino-broadside

Find out more about our publications, contests, and submission calls at sundresspublications.com.

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Sundress Releases Actual Miles by Jim Warner

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Sundress Releases Actual Miles by Jim Warner

Sundress Publications is pleased to announce the release of Jim Warner’s new book, Actual Miles. Order your copy today from the Sundress store!

Part travelogue, part power pop catharsis, Actual Miles is Jim Warner’s third collection of poetry and his first book in nearly a decade. Criss-crossing Rust Belt mining towns and Filipino rice paddies, Actual Miles finds Warner disassembling home and extracting language from record grooves and Mason jars to reclaim his identity as a bastard son of the highway.

“With Actual Miles, Jim Warner is all texture, flavor, and heart, a shock of senses and cultures, and always searching for family and identity, and the best ways to make them sing.”
–Ben Tanzer, author of Be Cool, Sex and Death, and host This Podcast Will Change Your Life.

Jim Warner’s newest poetry collection, Actual Miles, embodies Galway Kinnell’s famous line about time: ‘…Everything he loved was made of it.’  A sense of impermanence—and a respect toward that impermanence—centers these lyrical poems on various topics, including bum hearts, multiracial identity gaps, medical interventions, dislocation, and familial deaths. Other poems make permanent a flash of love or beauty, often in the form of haiku and haibun. Although Warner is often discussing the slow fade of our days, he does so with searing focus, pushing toward the flames rather than pulling away once too hot. Through a beautiful mix of form, this collection refuses to let go with its close-up and hold-up descriptions that embraced existence where mornings are brick-red, hearts are trapped in durian rinds, and elegies come second-hand.”
–Charlotte Pence, author of Many Small Fires

Jim Warner’s poetry has appeared in various journals including The North American jim warnerReview,RHINONew South, and is the author of two collections (PaperKite Press). His third collection Actual Miles will be released in 2018 by Sundress Publications. Jim is the host of the literary podcast Citizen Lit and is a faculty member of Arcadia University’s MFA program.

Order your copy today from the Sundress store!

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An interview with 2017 Chapbook Contest Winner Laura Page

 

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I recently interviewed Laura Page, whose collection of poetry epithalamium won Sundress Publications‘ sixth chapbook competition. Page is a graduate of Southern Oregon University and editor of the poetry journal, Virga. Her work has appeared or is forthcoming from Rust + MothCrab Creek ReviewThe RumpusTinderbox Poetry JournalTINGE, and elsewhere. She is the author of two previous chapbooks, Children, Apostates (dancing girl press, 2016) and Sylvia Plath in the Major Arcana (Anchor & Plume, forthcoming). Visit her website at www.laurapage.net.

Danielle Hayden: Thanks so much for agreeing to be interviewed! I’d like to dive right in and talk about epithalamium. What was the inspiration behind this work? 

Laura Page: My pleasure. Thank you! I came across the word ‘epithalamium’ in the Princeton Encyclopedia of Poetry and Poetics while participating in a project spearheaded by my friend Joshua Medsker, who is also a poet. The term is Latin, and denotes texts celebrating or expounding on marriage, though, as the editors note, epithalamia can be quite varied, both in structure and tonality. Adrienne Rich said something that has always stuck with me: “The moment of change is the poem.” I suppose I wanted to document and compile what is mutable between two committed individuals.

DH: What challenges, if any, did you encounter while putting this collection together?

LP: It’s interesting—compiling this collection was almost no challenge; the poems coalesced, however, out of a difficulty I had been having while trying to order another manuscript. I kept feeling that many poems contained in that collection didn’t seem to ‘fit’ or seemed to belong to another speaker. A large percentage of the poems in epithalamium were those that I eventually realized could become a separate body of work.

DH: If I may, I’d like to ask a bit about your background and your journey to becoming a poet. How and when did you decide that you wanted to be a poet? Who or what were your biggest influences/from whom did you draw inspiration?

LP: I’m not sure there was one pivotal moment. I have always loved literature. As a very young person, I read pretty voraciously. I wish I could devour books now like I did then. I think I wrote my first poem when I was twelve and shortly after that, I decided that I wanted to write fiction. Though I do write the occasional story, poetry is my love. I have to return to Adrienne Rich, here, because I started writing again as an adult after I picked up a book of critical essays on her work. I was maybe 19, and was blown away. After that, it was Theodore Roethke. There were a few gateways. Then I started writing truly awful poetry in earnest.

DH: What/who inspires you today? 

LP: There are many, but recently I’m enamored with Rainer Maria Rilke, Wallace Stevens, Robert Hass, and Ada Limon.

DH: What is your creative process like? I know it’s different for every poet and sometimes for every work or phase of life. Feel free to describe your process more generally or how it was during the writing of epithalamium, if those differed at all.

LP: A poem almost always begins with an image or a turn of phrase that strikes me and then sticks for whatever reason. For some time now, I’ve been keeping one or more Word files open or readily accessible and writing in odd moments, very fast, without letting myself think too much about what’s going down. Everything in a particular file is loosely connected, so I have several little micro-collections going. I rework the poems, occasionally, but I’m less compulsive about doing so than I ever used to be. This is a fairly new thing. It feels more focused compared to past phases, certainly compared to the rather drawn out process of writing epithalamium.

DH: I know that you are the founding editor of the poetry magazine Virga. Congratulations on the launch! What has that been like so far (rewards, challenges, etc.)?

LP: I started Virga because I wanted to be a more involved literary citizen, as cliché as that term might sound these days, and I feel like I’m accomplishing that goal. It’s been very rewarding to read new and emerging poets and showcase their work. We’ve received some great feedback and I’m feeling confident in the future of the magazine, as tiny as we are. I think the challenge, for us, is a challenge any very new publication experiences unless it is very well connected, which is just bringing the magazine to the attention of more readers and prospective contributors. So, a shameless plug: if you’re reading this, we’d love for you to take a look and consider submitting poems!

DH: Why do you write? Why does poetry matter? We here at Sundress don’t need to be convinced of poetry’s importance, but for those naysayers, what do you say?

LP: Poetry is a means of access; what is being accessed is different for every poet. For me, it’s a way of getting at complex emotions, desires, and a way to interrogate my own assumptions. Sometimes it’s a liminal way to converse with elements outside of myself.

 DH: What are you reading now/what have you read recently?

 LP: I recently read Jorge Luis Borges’ This Craft of Verse, which is an incredible collection of essays on the reading and writing of poetry, and am currently reading a strange mix of things: some religious texts—gospels from the Nag Hammadi—some Anaïs Nin, some Gertrude Stein.

DH: And, finally, what are you currently working on? Any forthcoming projects that we can look forward to?

LP: I’m working slowly and quietly on a few things, including the full-length manuscript I mentioned. Virga is also gearing up for issue three coming this spring, so we’re very excited about that.

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Laura Page is a graduate of Southern Oregon University and editor of the poetry journal, Virga. Her work has appeared or is forthcoming from Rust + Moth, Crab Creek Review, The Rumpus, Tinderbox Poetry Journal, TINGE, and elsewhere. She is the author of two previous chapbooks, Children, Apostates (dancing girl press, 2016) and Sylvia Plath in the Major Arcana (Anchor & Plume, forthcoming).

Danielle Hayden is a freelance writer and editor who grew up in Detroit and now lives in Seattle. Included among all the things she loves are: learning, books, watching films, making lists, and collecting great quotes—sometimes as tattoos. She reads about everything, and writes about almost as much. Danielle is an enthusiastic supporter of the arts and of the Oxford comma.

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Graphic Design Internship for Sundress Publications

 

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Sundress Publications is Hiring
for a Graphic Design Internship

Sundress Publications is an entirely volunteer-run 501(c)(3) nonprofit publishing collective founded in 2000 that hosts a variety of online journals and publishes chapbooks, full-length collections, and literary anthologies in both print and digital formats. Sundress also publishes the annual Best of the Net Anthology, celebrating the best work published online, and the Gone Dark Archives, preserving online journals that have reached the end of their run. .

The design internship position will run from March to October, 2018. The design intern will assist with creating flyers & brochures, constructing graphics, book-making, etc. Responsibilities may include designing the interior and exterior of e-books, formatting manuscripts, and/or designing and editing promotional materials.  Applicants must be self-motivated and be able to work on a strict deadline.

Preferred qualifications include:

  • Familiarity with Adobe Photoshop, InDesign, and/or Illustrator
  • Experience with book-making, print-making, and/or letterpress
  • Graphic design experience
  • Knowledge of contemporary literature a plus

Applicants are welcome to telecommunicate and therefore are not restricted to living in the Knoxville area.

While this is an unpaid internship, all interns will gain real-world experience in the designing books and promotional materials for a nationally recognized press while creating a portfolio of work for future employment opportunities. Interns will also be able to attend all workshops at the Sundress Academy for the Arts at cost.

To apply, please send a resume and a brief cover letter detailing your interest in the position to the Managing Editor, Erin Elizabeth Smith, at erin@sundresspublications.com.

For more information, visit our website at sundresspublications.com.

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Meet our Newest Intern, Cass Hayes

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The first book I fell in love with was The Pearl by John Steinbeck. I was thirteen or so, frustrated with having to interrupt my sport-filled summer with reading for an English class I hadn’t even had yet, but when I first read Steinbeck’s lyrical prose and the simple tale of a pearl diver who finds a beautiful and expensive pearl beyond all his dreams that leads to a tragic end, I was hooked. It was miraculous—reading a book that made me forget I was being forced to read it for a class. I realized stories can be powerful. Just words put together in the magical right way can be powerful. I decided then that I wanted to be a writer and pursue the literary life.

Even though that’s the first book that made that powerful an impact on me, I’ve always been a reader fascinated by books. There are pictures of me as a little kid, probably before I could even sound out words, arranging books in the floor, rearranging them on the shelves. I just liked the way books felt in my hands, the weight of them, the weight of their words. As a kid I was in love with stories, too—whether it was my favorite movie that I watched over and over (on VHS), The Lion King, following my favorite baseball team, the Yankees, through a season, or listening to my grandparents talk about life as farmers and sharecroppers before I was born. Stories seemed to be what gave life its color. It made life way out in the country on an old farm-to-market road in North Texas, a cement plant smoking in the distance and the pastures spotted with cedar trees, a little less colorless and flat.

And the books themselves seemed to give life its dimensions. I forced my mom to read me Green Eggs n’ Ham so much that she had it memorized. I liked reading about science and history, and followed several topics of interest before I really fell in love with fiction with The Pearl. My interests ranged from zoology to astronomy to marine biology to archeology to code-breaking and forensic science. I only realized later that I was less interested in the real-world explorations of all these topics, and more interested in what the books had to say about them.

My first writing outside of school was probably songwriting—I remember scrawling down words to go along with my frantically out-of-tune strumming when I was taking guitar lessons. Songwriting for me, though, was relatively short-lived, and around ten or so I became fascinated by comic books. I created elaborate worlds filled with magical powers and superheroes, and would create short comics with these characters.

This experimentation of multimodal writing has followed me today, where I study online literary magazines and the different modes they can bring to writing as a part of my job as managing editor of the lit mag Arkana. I’m still fascinated with stories, and I’m still writing plenty of poetry and prose—for the time being relying less in my own work on pictures or music, and instead focusing on perfecting my craftsmanship with words. My pursuit of craft is what led me to the Arkansas Writers MFA Program at the University of Central Arkansas, where I am currently a student. It’s also led me to Sundress Publications, where I am excited to be interning at a place that values stories as much as I do.

Cass Hayes is a writer from Waxahachie, Texas. She attends the Arkansas Writers MFA Program at the University of Central Arkansas and works as the managing editor of the online literary journal Arkana. Her fiction and poetry appears or is forthcoming in various online and print literary journals, including Five:2:One, Work Literary Magazine, and Déraciné Magazine.

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Meet Our Newest Intern, Danielle Hayden

 

SundressHeadshot_DanielleHayden I learned to read at a very early age, and I’ve been a word lover ever since. In my burgeoning logophilia I would, with great fervor, read Dr. Seuss books–Green Eggs ‘n Ham was my favorite–aloud to my father. And we’d have spelling bees in the car sometimes: ‘Anthology’ was my favorite word to spell; ‘Massachusetts’ the word I kept getting wrong. I amassed a large collection of books, devouring everything I could get my hands on so long as it wasn’t boring. Some kids dragged blankies from place to place, but I carried a book pretty much everywhere I went, a trend I still continue today on occasion (one reason I carry large handbags).

If that wasn’t nerdy enough, I’d often sit at the dining room table and I’d read the encyclopedia as I ate my food. Other times I’d read my brother’s Calvin & Hobbes books while eating, a fact that I hope regains some of the coolness points I lost when I mentioned encyclopedias. The bottom line is that I had my head stuck in a book pretty much every day, which was fun in and of itself but also well-suited to my introversion and shyness. Reading gave me such joy, probably more than anything else did growing up.

My writing came a bit later. I was reading all these stories and I decided that I wanted to start creating my own. They weren’t very good, of course, and endings were always hard for me (they still are, actually), but I had fun making up tales. I decided in high school that I wanted to be a writer, but that I would write only on the side–just for fun. I was going to become an amazing, life-changing English teacher (the kind they made movies and Oprah episodes about) and then I’d publish a bit here and there. Despite the judgment I received for not going into a STEM field, I declared a major in English Language & Literature, with a minor in philosophy (just ’cause it’s so fascinating) and headed out into the field of education to start what I was sure would be a decades-long career exploring the canon of William Shakespeare (fun fact: he and I share a birthday).
Like so many other things in life, stuff didn’t go according to plan.

I did become an English teacher (as well as an Algebra and French teacher; I really, really love math and foreign languages too) but I realized that pedagogy was not for me. I even went to graduate school and then came back to try teaching again in a different environment, but I still couldn’t stick with it. I taught for a little while but I concluded that I had the heart for it, but not the stomach. I still worked and volunteered on occasion as a tutor, and I helped launch a blog, Lolly’s Classroom, where teachers could write about children’s books; education was still important to me. Unfortunately, however, I had to leave the classroom.

So, I was back to square one. I took some odd jobs here and there, trying to figure out my proper place. Eventually I ended up at a 9-5 office job and I was pretty miserable; I liked my colleagues a lot but the work itself was suffocating. I always had a passion for the written word that had never waned. But I would always dismiss it as just a hobby, not something that I would pursue full time. Then a couple years ago, I got tired of going from job to job to job only to leave dissatisfied and unfulfilled. I decided to take the plunge and follow my heart (a very Millennial thing to do, yes, but I refuse to feel bad about it). Working with words was what I really wanted to do. Words, I reasoned, have been consistent in my life. I have many goals and many interests, and I identify strongly with Emilie Wapnick’s idea of a “multipotentialite”, but words are still number one on my list and will likely always be.

…Which leads me to where I am now. A freelancer’s life can be difficult and demoralizing–especially for a sensitive soul like me. But I’m not giving up, at least not yet. I’ve worked with an art museum, I worked with a local press. I sent some of my writing out, reached out to some websites to see if I could help with copy, I applied to this and to that. Some things have worked out, others haven’t. But I’m still here, and I’m determined. My main responsibilities right now are as editor for the online literary magazine Pif, as a grant writer for the non-profit organization Our Golden Hour, and as a research assistant on a linguistics project. I’m very excited to begin working with Sundress Publications so I can fill my life with even more words.
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Danielle Hayden is a freelance writer and editor who grew up in Detroit and now lives in Seattle. Included among all the things she loves are: learning, books, watching films, making lists, and collecting great quotes–sometimes as tattoos. She reads about everything, and writes about almost as much. Danielle is an enthusiastic supporter of the arts and of the Oxford comma.
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Project Bookshelf: Emily Corwin

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My boyfriend, Joe and I just got this bookcase from a friend who is moving to Poland. We’ve been looking for an extra bookcase for months since we both have so many books (and, let’s face it, we’re going to keep buying them). For now, I’ve been putting favorite books and recently-read books on this shelf. My goal this summer is to read through all of the poetry collections I gathered during the school year. Some recent favorites on here:Blues Triumphant by Jonterri Gadson, Forest Primeval by Vievee Francis, Wolf Lake, White Gown Blown Open by Diane Seuss, Gilt by Raena Shirali, Careful Mountainby Sara June Woods, Take This Stallion by Anaïs Duplan, Meet Me Here At Dawn by Sophie Klahr, Wasp Queen by Claudia Cortese, Bestiary by Donika Kelly,Wunderkammer by Cynthia Cruz, Landscape with Headless Mama and Protection Spell by Jennifer Givhan, and Sugarblood by Liz Bowen.

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Emily Corwin is an MFA candidate in poetry at Indiana University-Bloomington and the former Poetry Editor for Indiana Review. Her writing has appeared or is forthcoming in Gigantic Sequins, Day One, Hobart, Tinderbox Poetry Journal, THRUSH, and elsewhere. She has two chapbooks, My Tall Handsome (Brain Mill Press) and darkling (Platypus Press) which were published in 2016. Her first full-length collection, tenderling is forthcoming in 2018 from Stalking Horse Press. You can follow her online at @exitlessblue.

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Sundress Publications Seeks Outstanding Non-Featured 2018 AWP Panels

 

Sundress Publications is excited to continue the tradition of celebrating non-featured AWP panels on our blog in 2018. We know that there are dozens of worthy and important panel proposals that weren’t accepted for AWP in Florida next spring, so let us be your platform instead!

Do you have an excellent AWP panel that didn’t make the final cut for 2018? Please send your proposal to us for consideration at sundresspublications@gmail.com. Submissions will be accepted on a rolling basis. Multiple submissions and simultaneous submissions are acceptable. Please include the names of all of your contributors within your submission.

We want to host your panel as an online roundtable in order to present them to an expansive audience and create an archive for your necessary voices. We’re looking for topics that are driven by passion, inclusivity, forward-thinking, collaboration, and hybridity. (In fact, you tell us what we’re looking for; bring us something completely fresh and unexpected!) We look forward to hearing from you and your colleagues.

Feel free to check out our wonderful 2017 AWP roundtables here.

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