“Cento: Frankenstein, by Mary Shelley”
It was with these feelings that I began
the creation of a human being.
Physical secrets. Have you drank also
of the intoxicating draught? I had
desired it with an ardour that far
exceeded moderation, to forget
myself and my ephemeral, because
human, sorrows. The wounded deer was but
a type of me. Whence, I often ask my-
self, did the principle of life proceed?
An inanimate body. For this I
had deprived myself of rest and health. My
work drew near a close; now every day showed
how well I had succeeded. I became
myself capable of bestowing
Barbara Duffey is a 2015 NEA Literature Fellow in poetry and the author of the full-length poetry collections Simple Machines (The Word Works, 2016), which won the 2015 Washington Prize, and I Might Be Mistaken (Word Poetry, 2015). She has also published the chapbooks The Circus of Forgetting (dancing girl press, 2013) and The Verge of Thirst (South Dakota State Poetry Society, 2013). Her poems have appeared in such publications as Blackbird, Prairie Schooner, Western Humanities Review, and Best New Poets 2009, and her prose in CutBank and The Collagist. She holds a PhD from the University of Utah, an MFA from the University of Houston, and a BA summa cum laude from the University of Southern California. She is an assistant professor of English at Dakota Wesleyan University and lives in Mitchell, SD, with her husband and son. You can find her online at www.barbaraduffey.com and on Twitter @BarbaraNDuffey.
Staci R. Schoenfeld is a recipient of 2015 NEA Fellowship for Poetry, grants from the Barbara Deming Memorial Fund and the Kentucky Foundation for Women, and residencies from the Ragdale Foundation and Albee Foundation. She is a PhD student at University of South Dakota, assistant editor for poetry at South Dakota Review, and an assistant editor at Sundress Publications. Recent and forthcoming publications include poems in Mid-American Review, Southern Humanities Review, and Room Magazine, fiction in Gingerbread House Literary Magazine, and non-fiction in The Manifest Station.