That Summer . . .
in remembrance: Lori Lee Farmer, Doris Denise Milner,
& Michele Guse, victims of the 1977 Oklahoma Girl
. . . was strange, an anomaly, a bad movie
suddenly real. Did the cute dumb girl die first?
The news shimmered and shook, rocked our world
like never before. But the ghosts of Chouteau
were stronger than an earthquake, that old
camp with its log cabins built looming
over an night-heron haunted lake
the woods behind dark as a serial-killer’s heart.
We shivered in our tents while you died in yours.
How could I have known the north star
whispered a dark secret to the wind—
how could I have known the ghosts heard
it, too? Home, now, a great horned owl hoots
outside my window, summoning the moon.
Jeanetta Calhoun Mish is a scholar, poet, and prose writer; Her most recent books are Oklahomeland: Essays (Lamar University Press, 2015) and a poetry collection,What I Learned at the War (West End Press, March 2016). Mish’s 2009 poetry collection, Work Is Love Made Visible won the Western Heritage Award, the WILLA Award from Women Writing the West, and the Oklahoma Book Award. Mish’s chapbook, Tongue Tied Woman (2002), won the national Edda Poetry Chapbook for Women contest sponsored by Soulspeak Press. Her writings have been recently published or are upcoming in The Fiddleback, About Place Naugatuck River Review, Dead Mule School of Southern Literature, Halvard-Johnson’s Truck, Concho River Review, Yellow Medicine Review, and Mojave River Review. Jeanetta is editor of award-winning Mongrel Empire Press, and contributing editor for the literary journal Sugar Mule (www.sugarmule.com) and for Oklahoma Today. She is director of and a faculty mentor for the Red Earth Creative Writing MFA Program at Oklahoma City University. www.tonguetiedwoman.com
Noh Anothai was a researcher with the Thailand-United States Education Foundation (Fulbright Thailand) between 2011-12, during which he hosted cultural events for Thailand’s Ministry of Culture and College of Dramatic Arts. Winner of Lunch Ticket‘s inaugural Gabo Prize for Translation and Multilingual Texts (2014) and OUTspoken’s poetry prize in 2015, Anothai’s original poems and translations of Thai poetry have appeared both online and in-print, most recently in Ecotone and The Berkeley Poetry Review. A reader for River Styx’s annual poetry contest, Anothai teaches for the online MFA program at Lindenwood University.