cutouts, opulence, piling, pooling at the bottom
heaven is a negative place
a holographic poem, a list
strung on fishing line, of irregularly cut shapes
when you say pleasure, it refers back to the subject/
beauty is private, the origin of beauty is private
an open umbrella rising up through sound
when you say sensation, it refers back to the object
a picture has no skin
Anne Lesley Selcer is a poet and art writer. In 2014 from A Book of Poems on Beauty was chosen by Dawn Lundy Martin for Gazing Grain press. A double chapbook with Lara Durbeck was recently published by Supersuperette press. In 2013 SFMoma commissioned her for a series of essays and she wrote on language and the moving image. The book Banlieusard was commissioned in 2005 by Artspeak gallery, and other writing has been anthologized in It’s night in San Francisco, but it’s sunny in Oakland, The Feeling is Mutual: A list of our fucking demands, NW Edge III: the end of reality, and The Physics of Context. Poems are forthcoming in Fence and Armed Cell and have appeared in Dusie, Where Eagles Dare, and The Clackamus Review, among others. Art writing can be found in catalogs or monographs for galleries such as Centre A, the Or and the Helen Pitt gallery, and TV Books / Deitch Projects as well as in magazines Fillip and Doppelganger magazines. In San Francisco, she was a member of the Nonsite Collective. In Vancouver she created and curated the Chroma Reading Series series for artists, poets and researchers. She is the current resident at Krowswork gallery.
Darren C. Demaree is the author of three poetry collections, As We Refer to Our Bodies (2013, 8th House), Temporary Champions (2014, Main Street Rag), and Not For Art For Prayer (2015, 8th House). He is the recipient of three Pushcart Prize nominations and a Best of the Net nomination. He is also a founding editor of Ovenbird Poetry and AltOhio. He is currently living in Columbus, Ohio with his wife and children.